#hautecouture – Travel With A Purpose

VdV Accessories for the Destination Bride

Posted on May 8, 2017by admin

Admittedly, the best accessory any bride can wear is her smile – a natural creative design crafter by the highest power. Oftentimes, the genuine smile is the direct reflection of the happiness of the bride. She is truly her happiest when she feels most comfortable in her own image. This could mean donning some jewelry, a fancy veil or adding simple but luxurious pieces to her outfit.

(Pearl Hair Comb by VdV Accessories)

(Sequins and Lace Bra by VdV Accessories)

The destination bride also accessorizes her look. In Trinidad, there are several bridal accessory designers who maintain distinct aesthetics and are exceptional in the quality of the work they deliver. Darcel de Vlugt of Van der Vlugt, recently unveiled more of the VdV accessories she has been working on by creating a separate social media presence for the pieces. Island brides are now swooning over VdV accessories, which are quickly becoming “must have” pieces when it comes to the finishing bridal touch.

(Fresh Water Pearl Hair Pins by VdV Accessories)

( Pearl Hair Comb by VdV Accessories )

The VdV brand has always been closely linked to the designer’s own story. More than just a designer, de Vlugt sees herself as a creative, having served in the role as Editor-in-Chief for CFstyle.com as well as Fashion Editor for teenage lifestyle magazine AmPassion Teen. A professionally trained dancer from a young age, she chose to study art and fashion after a sports injury rendered a career in dance unlikely. However, she completed her dance studies past A level standard to attain her Associate diploma in Modern Theatre Jazz – making her qualified to teach dance – at just 18 years old. She has been a freelance writer for many years, writing for media publications around the world on fashion and lifestyle, as well as freelance ghost writing and a published poet and short story writer. While these creative undertakings have helped to define the woman that she is, Darcel is also very well known for her work as an ambassador for Vitiligo, a skin condition she has had since she was five years old.

( Swarovski Crystal Crown by VdV Accessories)

(Custom Swarovski and Pearl Waistband by VdV Accessories)

A graduate of the London College of Fashion, University of the Arts, London with a BA in Fashion Design Technology (Women), Darcel debuted her first post-graduation collection at the Islands of the World Fashion Week in Nassau, the Bahamas in late 2008, returning the year after to win the Next Generation Designer Award with her second collection. Deciding to venture into the bridal realm in 2013, she empathizes with the great lengths brides go to in order to look and feel their best, during what can be a very testing and fragile time. This, she says, come from her own life journey with regards to beauty and strength, both inner and outer. She considers herself to be a “world citizen”, having lived in Israel, Syria, Cyprus and England throughout her life and travelling extensively beyond that. She speaks four languages, including Greek fluently, and has a strong understanding and appreciation for various cultures, countries, languages and all the adjustments necessary when moving from one place to the next; something a destination bride will definitely benefit from. Her experiences around the world have definitely contributed to the unique aesthetic of the VdV brand, including her accessories, which are designed to evoke “a moment of fantasy and inspiration through the noise of the norm.”

( Swarovski Body Jewelry Cover Up by VdV Accessories)

The designer operates a one woman show from conception to consultation to execution, exercising her skills in pattern making, fitting, sewing, hand stitching and particularly beading and lace embellishment, which she has become known for. The range of body chains, hair combs, bandeaus, hair pins, veils, crowns, bridal belts and other pieces for bridal and special occasion is created using fine materials like genuine Swarovski crystals and pearls, silk and handmade imported lace. She prides herself on not being conventional with the designs that are 100% her own, and pushing brides to consider less traditional options, particularly in the Caribbean where wedding traditions are still heavily embedded in the culture.

(Bird Cage Veil by VdV Accessories)

(Lace and Feather Headpiece by VdV Accessories)

“My best work has always been the original, non-traditional work that the bride trusts me to create for her; the work that is most me,” she says. Darcel designs with a whimsical touch of fantasy, shown in her runway work over the years. Since moving into bridal, old vintage glamour is also one of her biggest inspirations, most evident in the VdV accessories. The unconventional bride can definitely incorporate these far from spurious pieces into her attire, both for her special day and beyond. Even for the simple bride who may not subscribe to the “glitterati”, a touch, a sparkle from VdV Accessories is the perfect way to bask in a slice of bridal heaven.

( Veil, Dress and Hair Piece by VdV Accessories)

( Cathedral Veil by VdV Accessories)

Overall styling advice and other services for both the bride and her bridal party are available from the designer, who has found over the years that there is never a dull moment in the bridal world, with the most unusual requests constantly coming her way. One of her favourite projects to undertake is customization of gowns for the bride or bridesmaids, by taking something pre-purchased and transforming it using the VdV aesthetic into something new and original for its owner. She also believes in repurposing the bridal gown, having transformed her clients’ gowns into christening gowns when baby comes along and other items for the bride after the wedding. Having created her own daughter’s christening gown from a mix of her mother’s wedding dress and her First Communion dress, Darcel is also quite passionate about bringing luxury to the little ladies, continuing with her story.

(Pear and Crystal for Sienna Bandeau by VdV Accessories)

( Bridal Pouch with Lace and Pearl details by VdV Accessories)

Bridal season is in full swing so if you assume that this designer has her hands full, you are correct. Nonetheless, VdV accessories are available and made to order, either from previous designs or custom. Inspired destination brides can even collaborate with the designer to create gifts for the bridal party; a simple pearl necklace may be the perfect finishing touch presented as a bridal show gift to the maid of honour or bridesmaids. My advice is to get in touch and book a consultation as soon as possible, as time is definitely of the essence. Brides are able to pick up their pieces in studio, or have them delivered, even shipped internationally, so destination brides can definitely rest easy when it comes to their accessories.

( Vintage Hair Comb by VdV Accessories)(Swarovski and Pearl Dynasty Hair Comb by VdV Accessories)

I previously mentioned Darcel operating all aspects of her business. She is a major player in our fashion industry, both home and abroad. However, she contributes more than her fashion expertise, by increasing the marketability of destination Trinidad & Tobago to those brides who have the glitz and glamour of a VdV accessory in their trousseau and ever after. Mostly, purchases of VdV accessories make a profound statement – the destination bride stand to support a talented young woman who is a mother and a creative, who, despite medical challenges and life obstacles, has accepted herself and stands to be a beacon of hope for those women facing struggles but who also dare to dream and rise above them. This is the story behind her brand, and the story of the women she encounters. There is little doubt that as a bride who spends time with this designer, you will be inspired by more than the accessories she creates for you; you will be inspired by the value of her journey and the ability to move fearlessly into the next chapter of your own story.

Instagram: www.instagram.com/VDV_Accessories

House of VDV Studio: Central Trinidad

Facebook: https://www.facebook.com/houseofvdv/

Blogspot: http://houseofvdv.blogspot.com/

Email: houseofvdv@gmail.com

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Brian Mac Farlane's Cazabon The Art of Living

Posted on February 9, 2017by admin

In 2017 designer Brian Mac Farlane has taken to his mas camp his plight to advocate to the authorities the restoration of the country’s indigenous heritage and architecture. His presentation this year is called Cazabon: The Art of Living. It is his intention through the designs that he can call to action the “powers that be” to do something to preserve the wealth of the nation’s national heritage particularly the architecture from the artist, Jean Michel Cazabon’s era ( late 1800’s and the early 1900’s). His expectations would materialize in the form of haute couture costumes displayed on persons owning roles from that era in a spectacle bound by a unanimous magnitude of architectural inspiration. This presentation would convene several artisans from costume to fashion designers. Brian Mac Farlane even took under his wing top graduates of The University of Trinidad and Tobago: Caribbean Academy for Fashion and Design.

Voyage de la Mode by Claudia Pegus

Photo Credit: Mac Farlane Carnival Mas Camp

Cazabon’s paintings are colourful and resemble snapshots of the period the artist existed in and its immediate society. The people during that time wore colourful clothing because they were free to do so (post emancipation era). However, the designers took an all white disposition with several shades of white, hues of gold and brown. Since this is art one has to question the artist’s intention and the message he wants to communicate (which one will only know when one asks the creative director because art is subject to multiple interpretation). I am under the impression that these characters are cast in white because they are souls of the people of that time. Cazabon’s art featured stills of life paintings whilst Mac Farlane and his cohort of designers depict this time capsule through creative costume design and movement of haute couture clothed masqueraders.

Monsieur Mille Fleur and Madame Mille Fleur by Brian Mac Farlane

Photo Credit: Mac Farlane Carnival Mas Camp

The regalia, glitz and glamour of Cazabon’s era via this band were launched at one of the Magnificent Seven buildings late last year. Again highlighting Brian’s fixation with the conservation and restoration of architecture that served its prime during Cazabon’s time. In an interview Mac Farlane was noted for saying that his intention is to use unity to break silence and present splendor, beauty and revelry with a purpose via acknowledging profoundly rich heritage and culture. Designer icons and the local fashion industry’s rising stars occupy the band’s creative cast. Their names include Claudia Pegus, Peter Elias, Dale Angus, Dianne Hunt, Adrian Foster, Heather Jones, Dhisha Moorjani, Fazaad Mohammed, Charu Lochan Dass, Harvey Robertson, Kaleen Sanois and last but not least Brian Mac Farlane.

Le Belle Creole by Peter Elias

Photo Credit: Mac Farlane Carnival Mas Camp

Aristocratic Aura by Heather Jones

Photo Credit: Mac Farlane Carnival Mas Camp

The sections include names like The White Hall Affair (designed by Adrian Foster), Apna Desh (designed by Dhisha Moorjani), Citizens for Conservation ( designed by Harvey Robertson), Felicity (designed by Charu Lochan Dass), Gang Gang Sarah and Tom (designed by Dale Angus), Messenger of Change (designed by Kaleen Sanois), Le Belle Creole (designed by Peter Elias), Mademoiselle Boissierre (designed by Dianne Hunt), Madame Boissierre (designed by Dianne Hunt), Ministress of Hope (designed by Dianne Hunt), Madame Mille Fleur ( designed by Brian Mac Farlane), Monsieur Mille Fleur (designed by Brian Mac Farlane), The Gate Keepers (designed by Fazaad Mohammed), Aristocratic Aura (designed by Heather Jones) and Voyage de la Mode (designed by Claudia Pegus).

Madame Boissiere by Dianne Hunt

Photo Credit: Mac Farlane Carnival Mas Camp

The White Hall Affair designed by Adrian Foster is already sold out. The White Hall was formerly owned by Joseph Leon Agostini. Following his death it was then occupied by Robert Henderson and his family. However an account of the interior design, architecture and atmosphere of social events at the White Hall from the author of “The Great Eight”, Mr. Anthony De Verteuil seemed to inspire designer Adrian Foster. He took reference from this 19^th century Edwardian era. He believes that the spirits of Henderson’s guests remained within the walls of the magnificent building. He believes they merged with the Corsican, Moorish architecture forming silhouettes from French style windows and fretwork trimmings to large coral stone pillars that support the structure. He believes their trapped souls continue to roam the hallways and main ballroom as their haunting presence continues to preserve the rich history of time.

Photo Credit: Adrian Foster

The White Hall Affair by Adrian Foster

Photo Credit: Mac Farlane’s Carnival Mas’ Camp

Apna Desh is designed by Dhisha Moorjani of House of Jaipur. The costumes from Apna Desh- Our Land/Our Country reflect the conservative fashion and cultural design of traditional mas. These costumes feature a full collection of ethnic inspired Indian accessories detailed in silver. The female costumes come in several options. These include Sari or Gharara and top (skirt and top). The Apna Desh costumes are investment pieces as they can be worn again at a non Carnival occasion. Dhisha Moorjani (House of Jaipur) states, “It was Brian’s idea to use this theme and I followed the guidelines for colour scheme; beige and sepia tones. I used lots of cotton. In 1886 Cazabon’s painting of Indo Trinidadians was displayed at The Colonial Exhibit in London (renamed politically by Geofferey Maclean “The East Indian Group and The East Indian Women”). It depicted an Indo Trinidadian family; a mother, a father, a daughter. They are seen standing in their thatched roof house. The men are in their Kurta and Dhoti pants and the women in their flowing saris. The costumes for Cazabon The Art of Living feature options of Sari or Gharara which are sewn and easily arranged especially for anyone who never wore a sari. There are lots of silver pieces as accessories to reflect the heavy adornment of their bodies in jewelry. They did not trust banks during that time and converted their gold coins into jewelry.”

Apna Desh by Dhisha Moorjani (House of Jaipur)

Photo Credit: Mac Farlane’s Mas Camp

Citizens for Conservation is designed by Harvey Robertson. He affirms, “The conceptual stages of design and learning about the work of Citizens for Conservation inspired my design. The group is most known for its recent efforts to keep historical architecture alive. The demolition of the Greyfriars Church on Frederick Street in Port of Spain also inspired my designs. This church was built in the 1800’s during the Cazabon era. The materials for this costume consist of 100% cotton with shades of white and hues of brown.”

Greyfriars Church

Photo Credit: Joshua Lue Chee Kong

Citizens For Conservation by Harvey Robertson

Photo Credit: Mac Farlane Carnival Mas Camp

Citizens For Conservation by Harvery Robertson

Photo Credit: Mac Farlane Carnival Mas Camp

Felicity is designed by Charu Lochan Dass for the brand CLD. In her words, “ Felicity is the bringing together a mix of pleasures and stylishness. It depicts both mid 1800’s fashion and the sobering yet intricate Victorian architecture. It exchanges historical extravagance for modern mobility, keeping the traditional trims; gloves and head scarves to bring to life an era so filled with presence and sophistication.”

Felicity by Charu Lochan Dass (CLD)

Photo Credit: Mac Farlane Carnival Mas Camp

Gang Gang Sarah and Tom is designed by Dayle Angus from Tobago. This costume is detailed using lots of natural materials such as cowrie shells to represent the cotton from the silk cotton tree. The designer had a vision for a rugged, strong look for this costume. She collaborated with Dwayne Trim of Mudern Mud in Tobago to include this neutral colour element in her design aesthetic. Designer Dale Angus says ” The whole idea around Cazabon is his representation of all aspects of society during that time period. It translates to what was happening in Tobago at that time, you would’ve seen a rise in the folklore. Gang Gang Sarah is a folklore that originated between the late 1800’s – early 1900’s. When we talk about architecture of that time period and the use of nature, I approached him ( Brian Mac Farlane ) with Gang Gang Sarah. The main focus was the silk cotton tree. The tree stands today in Tobago and it is seen as a historical treasure. “

Gang Gang Sarah and Tom by Dayle Angus

Photo Credit: Mac Farlane Carnival Mas Camp

Messenger of Change is designed by Kaleen Sanois. The battymamzelle or dragonfly is used as the symbol for messenger of change. The base of the costume was inspired by this creature. The designer drew inspiration from common details of colonial houses seen in the lace work and the light weight cottons. Despite being a representation from the Cazabon era more flare was added to the look with gems, piping and gold accents. Designer Kaleen Sanois reiterates, ” The Messenger of Change is the mascot of the band. The message is that we need to come together as a people, to be united and to enjoy the country that is our own, and celebrate what we have left of our culture. Anybody can be The Messenger. I believe we’re all artists in some way and should use our art to promote positive change in any way. The Messenger of Change falls into the Cazabon era as a reminder that we are beautiful and unique people just like the battymamzelle.”

Messenger of Change by Kaleen Sanois

Photo Credit: Mac Farlane Mas Camp

The Gatekeepers section is designed by Fazad Mohammed. In his words he describes the characters’ portrayal, “I am majestically unyielding and a grand sight to behold. My magnificence lives on through the traditions that now unfold. I stand guard at the treasure’s place centuries apart, defy me and to this day you shall know my wrath. We defy the ravages time and stand among the chosen few, we are the gatekeepers of the Estates and our presence beckons to you!” – Fazad Mohammed 2016.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

He goes on to say that he was always fascinated by the grand opulence of our heritage sites and their presence, which gives people a peek into a period in history that shaped their existence today. The Cazabon era set the tone for inspiring their creations for 2017 carnival and the design team saw it fit to present a collection that reflected the periods fashion and trends as well as stimulate discussion on the preservation of local heritage monuments. Through the portrayal of “The Gatekeepers” Fazad presents a look at the Grand iron and metal designs that adorn the magnificent structures. He also wanted to pay tribute to the men and women that contributed to its preservation. To this day he feels there is a sense of ethereal presence within these structures that stimulates one’s curiosity about life on the other side of the grand gates.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

He believes that The Gatekeepers therefore, are those story tellers that brings to life this period in today’s modern world. Furthermore, he asserts that he would like to take the opportunity to celebrate the grand architectural magnificence and craftsmanship of the wrought iron artists. He feels that their creations adorn and protect our heritage estate houses and is a source of great inspiration to our current masterminds and architects. In this collection Fazad confirms that he maintained a strong connection with the actual fine fashionable fabrics of the period, ie cotton, silk, satin, lace and chiffon. He states that the accessories mirrored the opulence of the fine jewelry crafted from pearls, gold and other gems. Fazad feels that the greatest significance is the wire work done by our local craftsmen to tell the story of the grand wrought iron artisans of the period.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

If you would like to know more about the presentation of Cazabon: The Art of Living then please review the information below.

Brian Mac Farlane’s mas camp is located at #49 Rosalino Street Woodbrook.

Telephone Contact: (868) 625-8931

Email Address: macfarlanecarnival@gmail.com

Facebook Page: https://www.facebook.com/macfarlanecarnival/

Website: www.macfarlanemas.com

The Mac Farlane Carnival Mas Camp is one of the featured stops on my Trinidad Carnival Fashion Tour this Saturday 11th February 2017. If you would like to take the tour then please contact me at letsgotrinidadandtobago@gmail.com

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