My Passion for Fashion – Page 2 – Travel With A Purpose

Brian Mac Farlane's Cazabon The Art of Living

Posted on February 9, 2017by admin

In 2017 designer Brian Mac Farlane has taken to his mas camp his plight to advocate to the authorities the restoration of the country’s indigenous heritage and architecture. His presentation this year is called Cazabon: The Art of Living. It is his intention through the designs that he can call to action the “powers that be” to do something to preserve the wealth of the nation’s national heritage particularly the architecture from the artist, Jean Michel Cazabon’s era ( late 1800’s and the early 1900’s). His expectations would materialize in the form of haute couture costumes displayed on persons owning roles from that era in a spectacle bound by a unanimous magnitude of architectural inspiration. This presentation would convene several artisans from costume to fashion designers. Brian Mac Farlane even took under his wing top graduates of The University of Trinidad and Tobago: Caribbean Academy for Fashion and Design.

Voyage de la Mode by Claudia Pegus

Photo Credit: Mac Farlane Carnival Mas Camp

Cazabon’s paintings are colourful and resemble snapshots of the period the artist existed in and its immediate society. The people during that time wore colourful clothing because they were free to do so (post emancipation era). However, the designers took an all white disposition with several shades of white, hues of gold and brown. Since this is art one has to question the artist’s intention and the message he wants to communicate (which one will only know when one asks the creative director because art is subject to multiple interpretation). I am under the impression that these characters are cast in white because they are souls of the people of that time. Cazabon’s art featured stills of life paintings whilst Mac Farlane and his cohort of designers depict this time capsule through creative costume design and movement of haute couture clothed masqueraders.

Monsieur Mille Fleur and Madame Mille Fleur by Brian Mac Farlane

Photo Credit: Mac Farlane Carnival Mas Camp

The regalia, glitz and glamour of Cazabon’s era via this band were launched at one of the Magnificent Seven buildings late last year. Again highlighting Brian’s fixation with the conservation and restoration of architecture that served its prime during Cazabon’s time. In an interview Mac Farlane was noted for saying that his intention is to use unity to break silence and present splendor, beauty and revelry with a purpose via acknowledging profoundly rich heritage and culture. Designer icons and the local fashion industry’s rising stars occupy the band’s creative cast. Their names include Claudia Pegus, Peter Elias, Dale Angus, Dianne Hunt, Adrian Foster, Heather Jones, Dhisha Moorjani, Fazaad Mohammed, Charu Lochan Dass, Harvey Robertson, Kaleen Sanois and last but not least Brian Mac Farlane.

Le Belle Creole by Peter Elias

Photo Credit: Mac Farlane Carnival Mas Camp

Aristocratic Aura by Heather Jones

Photo Credit: Mac Farlane Carnival Mas Camp

The sections include names like The White Hall Affair (designed by Adrian Foster), Apna Desh (designed by Dhisha Moorjani), Citizens for Conservation ( designed by Harvey Robertson), Felicity (designed by Charu Lochan Dass), Gang Gang Sarah and Tom (designed by Dale Angus), Messenger of Change (designed by Kaleen Sanois), Le Belle Creole (designed by Peter Elias), Mademoiselle Boissierre (designed by Dianne Hunt), Madame Boissierre (designed by Dianne Hunt), Ministress of Hope (designed by Dianne Hunt), Madame Mille Fleur ( designed by Brian Mac Farlane), Monsieur Mille Fleur (designed by Brian Mac Farlane), The Gate Keepers (designed by Fazaad Mohammed), Aristocratic Aura (designed by Heather Jones) and Voyage de la Mode (designed by Claudia Pegus).

Madame Boissiere by Dianne Hunt

Photo Credit: Mac Farlane Carnival Mas Camp

The White Hall Affair designed by Adrian Foster is already sold out. The White Hall was formerly owned by Joseph Leon Agostini. Following his death it was then occupied by Robert Henderson and his family. However an account of the interior design, architecture and atmosphere of social events at the White Hall from the author of “The Great Eight”, Mr. Anthony De Verteuil seemed to inspire designer Adrian Foster. He took reference from this 19^th century Edwardian era. He believes that the spirits of Henderson’s guests remained within the walls of the magnificent building. He believes they merged with the Corsican, Moorish architecture forming silhouettes from French style windows and fretwork trimmings to large coral stone pillars that support the structure. He believes their trapped souls continue to roam the hallways and main ballroom as their haunting presence continues to preserve the rich history of time.

Photo Credit: Adrian Foster

The White Hall Affair by Adrian Foster

Photo Credit: Mac Farlane’s Carnival Mas’ Camp

Apna Desh is designed by Dhisha Moorjani of House of Jaipur. The costumes from Apna Desh- Our Land/Our Country reflect the conservative fashion and cultural design of traditional mas. These costumes feature a full collection of ethnic inspired Indian accessories detailed in silver. The female costumes come in several options. These include Sari or Gharara and top (skirt and top). The Apna Desh costumes are investment pieces as they can be worn again at a non Carnival occasion. Dhisha Moorjani (House of Jaipur) states, “It was Brian’s idea to use this theme and I followed the guidelines for colour scheme; beige and sepia tones. I used lots of cotton. In 1886 Cazabon’s painting of Indo Trinidadians was displayed at The Colonial Exhibit in London (renamed politically by Geofferey Maclean “The East Indian Group and The East Indian Women”). It depicted an Indo Trinidadian family; a mother, a father, a daughter. They are seen standing in their thatched roof house. The men are in their Kurta and Dhoti pants and the women in their flowing saris. The costumes for Cazabon The Art of Living feature options of Sari or Gharara which are sewn and easily arranged especially for anyone who never wore a sari. There are lots of silver pieces as accessories to reflect the heavy adornment of their bodies in jewelry. They did not trust banks during that time and converted their gold coins into jewelry.”

Apna Desh by Dhisha Moorjani (House of Jaipur)

Photo Credit: Mac Farlane’s Mas Camp

Citizens for Conservation is designed by Harvey Robertson. He affirms, “The conceptual stages of design and learning about the work of Citizens for Conservation inspired my design. The group is most known for its recent efforts to keep historical architecture alive. The demolition of the Greyfriars Church on Frederick Street in Port of Spain also inspired my designs. This church was built in the 1800’s during the Cazabon era. The materials for this costume consist of 100% cotton with shades of white and hues of brown.”

Greyfriars Church

Photo Credit: Joshua Lue Chee Kong

Citizens For Conservation by Harvey Robertson

Photo Credit: Mac Farlane Carnival Mas Camp

Citizens For Conservation by Harvery Robertson

Photo Credit: Mac Farlane Carnival Mas Camp

Felicity is designed by Charu Lochan Dass for the brand CLD. In her words, “ Felicity is the bringing together a mix of pleasures and stylishness. It depicts both mid 1800’s fashion and the sobering yet intricate Victorian architecture. It exchanges historical extravagance for modern mobility, keeping the traditional trims; gloves and head scarves to bring to life an era so filled with presence and sophistication.”

Felicity by Charu Lochan Dass (CLD)

Photo Credit: Mac Farlane Carnival Mas Camp

Gang Gang Sarah and Tom is designed by Dayle Angus from Tobago. This costume is detailed using lots of natural materials such as cowrie shells to represent the cotton from the silk cotton tree. The designer had a vision for a rugged, strong look for this costume. She collaborated with Dwayne Trim of Mudern Mud in Tobago to include this neutral colour element in her design aesthetic. Designer Dale Angus says ” The whole idea around Cazabon is his representation of all aspects of society during that time period. It translates to what was happening in Tobago at that time, you would’ve seen a rise in the folklore. Gang Gang Sarah is a folklore that originated between the late 1800’s – early 1900’s. When we talk about architecture of that time period and the use of nature, I approached him ( Brian Mac Farlane ) with Gang Gang Sarah. The main focus was the silk cotton tree. The tree stands today in Tobago and it is seen as a historical treasure. “

Gang Gang Sarah and Tom by Dayle Angus

Photo Credit: Mac Farlane Carnival Mas Camp

Messenger of Change is designed by Kaleen Sanois. The battymamzelle or dragonfly is used as the symbol for messenger of change. The base of the costume was inspired by this creature. The designer drew inspiration from common details of colonial houses seen in the lace work and the light weight cottons. Despite being a representation from the Cazabon era more flare was added to the look with gems, piping and gold accents. Designer Kaleen Sanois reiterates, ” The Messenger of Change is the mascot of the band. The message is that we need to come together as a people, to be united and to enjoy the country that is our own, and celebrate what we have left of our culture. Anybody can be The Messenger. I believe we’re all artists in some way and should use our art to promote positive change in any way. The Messenger of Change falls into the Cazabon era as a reminder that we are beautiful and unique people just like the battymamzelle.”

Messenger of Change by Kaleen Sanois

Photo Credit: Mac Farlane Mas Camp

The Gatekeepers section is designed by Fazad Mohammed. In his words he describes the characters’ portrayal, “I am majestically unyielding and a grand sight to behold. My magnificence lives on through the traditions that now unfold. I stand guard at the treasure’s place centuries apart, defy me and to this day you shall know my wrath. We defy the ravages time and stand among the chosen few, we are the gatekeepers of the Estates and our presence beckons to you!” – Fazad Mohammed 2016.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

He goes on to say that he was always fascinated by the grand opulence of our heritage sites and their presence, which gives people a peek into a period in history that shaped their existence today. The Cazabon era set the tone for inspiring their creations for 2017 carnival and the design team saw it fit to present a collection that reflected the periods fashion and trends as well as stimulate discussion on the preservation of local heritage monuments. Through the portrayal of “The Gatekeepers” Fazad presents a look at the Grand iron and metal designs that adorn the magnificent structures. He also wanted to pay tribute to the men and women that contributed to its preservation. To this day he feels there is a sense of ethereal presence within these structures that stimulates one’s curiosity about life on the other side of the grand gates.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

He believes that The Gatekeepers therefore, are those story tellers that brings to life this period in today’s modern world. Furthermore, he asserts that he would like to take the opportunity to celebrate the grand architectural magnificence and craftsmanship of the wrought iron artists. He feels that their creations adorn and protect our heritage estate houses and is a source of great inspiration to our current masterminds and architects. In this collection Fazad confirms that he maintained a strong connection with the actual fine fashionable fabrics of the period, ie cotton, silk, satin, lace and chiffon. He states that the accessories mirrored the opulence of the fine jewelry crafted from pearls, gold and other gems. Fazad feels that the greatest significance is the wire work done by our local craftsmen to tell the story of the grand wrought iron artisans of the period.

The Gate Keepers by Fazad Mohammed

Photo Credit: Mac Farlane Carnival Mas Camp

If you would like to know more about the presentation of Cazabon: The Art of Living then please review the information below.

Brian Mac Farlane’s mas camp is located at #49 Rosalino Street Woodbrook.

Telephone Contact: (868) 625-8931

Email Address: macfarlanecarnival@gmail.com

Facebook Page: https://www.facebook.com/macfarlanecarnival/

Website: www.macfarlanemas.com

The Mac Farlane Carnival Mas Camp is one of the featured stops on my Trinidad Carnival Fashion Tour this Saturday 11th February 2017. If you would like to take the tour then please contact me at letsgotrinidadandtobago@gmail.com

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5 lessons from Heather Jones International

Posted on February 7, 2017by admin

“Heather is a quintessential artist of this millennium representing the transitional era of self-assertion and individuality. Her designs are motivated to make women feel good about themselves, to empower and inspire.

The endless limitation of her work is like a powerful river with countless branches, which develops into outrageous waterfalls. Her work brings a divine blessing to each individual that comes into contact with her designs.

They can imagine the warm tropical nights, cool sensuous days, deliciously soothing waters, the earthly rich flora of orchids and hibiscuses; all woven into the magical loom that Heather creates.”

Photo Credit: Heather Jones International

I first met Heather at the first Tobago Fashion Coda (although I do not think she remembers me or that anybody remembers much ha ha except that it was an awesome night!). The committee had just invited persons to indulge in the all inclusive refreshments done by the Tobago Hotel School. There we saw Heather and approached her to say “hello” and extend our congratulations to her on her collection. She was absolutely “down to earth” and so warm in her response to us. This is something I will forever cherish. I also take forward with me in life a few lessons from that moment. The first lesson is no matter who you are and whichever fields you assert yourself in always remember to treat others as you would like to be treated. The second lesson is people will remember you for character. Hence with that being said I am jumping into my Heather Jones Designs International review.

Photo Credit: Heather Jones International

I grew up hearing and seeing Heather Jones Designs broadcasted on television or glorifying the newspapers (yes I used to read the paper before the advent of online news). My chats with Leasel Rovedas and Omzadd Khan would further reveal that Heather even designed and supplied the Caribbean Airlines uniforms (no wonder our flight attendants look so beautiful). They would further confirm that although people are more conscious of the fashion industry today in Trinidad entrepreneurship still requires a lot of work before results are realized. In one of our discussions we realized that Heather really has accomplished a lot over the decades; working at her craft. It is safe to say her success did not happen overnight and this remains the third lesson I wish to note for my own life.

Photo Credit: Heather Jones International

Heather Jones achieved the “International Pret a Porter Style Award” for Fashion Week of the Americas in 2002. She went on to win “Woman of Great Esteem Award” from New York’s Woman of Great Esteem Foundation 2005. In 2008 she received the award for “Best Trinidad and Tobago Designer.” Then she achieved “The Chaconia Gold Medal,” a national award from her home country Trinidad and Tobago for her contribution in fashion in 2009. Despite receiving awards it seemed Heather understood that this alone does not translate to “Ah Reach”. This is my fourth lesson from Heather Jones. There are no limits for success only room for improvement and these accolades were only material confessions that Heather Jones was on to something and she needed to listen to her intuition and figure out what’s next for her brand and how can she do this better.

Photo Credit: Heather Jones International

I must commend Heather’s focus on her art, her strategic planning and execution as Heather Jones Designs catapulted further to become international. Her collections were already being sold in about thirty stores in the U.S.A and were now being showcased on the global map from Asia, Europe to the Mediterranean markets. The highlights of these shows included attending “Me My Mode Show” in Paris in 2012, “Labo Ethnik Fashion and Lifestyle” in Paris in 2014, “The Gallery in Berlin” in 2013, “Japan International Fashion Week”, “Miami Fashion Week”, “Unconventional Wedding District” in Milan and “Mediterranean Fashion Dreams” in Italy. Currently her collections are being sold in Japan and Italy among other destinations. Undoubtedly, Heather Jones has put Trinidad and Tobago on the world map.

Photo Credit: Heather Jones International

Heather Jones designs Prêt a Porter, Luxury, Resort, Bridal even Monday Wear and Fete Wear. The art of hand painting which she acquired was passed down to her from generation to generation. She aces garment construction and actually learned this from an early age. However, the striking thread that ties Heather Jones Designs International from where she started to the direction she is headed would be the marriage of traditional with contemporary in such a way that her creations are timeless and transitional. Heather Jones is relevant to her target market across many oceans in varying cultures in different age groups. She is cognizant of the trends, styles, colours, designs and fuses that with the uniqueness of her perspective of the Caribbean rather the way she views it. She finishes her designs with authenticity from her signature which is hand painting. Anyone can spot a purchase from Heather Jones Designs International immediately because her aesthetic is so identifiable. Similarly anyone wearing merchandise from Heather Jones Designs International will be easily spotted because her work stands out anywhere and everywhere. Heather Jones Designs International is an iconic brand that captures the essence of Trinidad and Tobago. Our culture is a melting pot of influences. We are a “fusion people”. The designer understands this in fact she is a product of this environment. She is alert to all of this therefore she channels this into her designs and it is inevitable that the finished product encapsulates fusion fashion.

Photo Credit: Heather Jones International

Notwithstanding, this nation is very fortunate to have someone so valuable, alive and approachable for consultation on the way forward for Trinidad and Tobago’s creative industries. At first glance the average person browsing her collections or viewing a random piece in a magazine or newspaper may not think that this woman, this creative entrepreneur, this iconic designer is so stellar or that she packs all these titles and accolades behind her name. Here is where I take my fifth lesson from Heather Jones. The lesson here is not to build to display but build to “disappear” or “work behind the scenes” to accomplish your life purpose. This is such a paradox as the fashion world is one that requires creating illusions, fostering imagination and brand communication through visual appeal. However, building to disappear and fulfill your purpose rather than building to “show off” can be done and Heather is a prime example of that. She has been building her empire in the fashion world neither for ostentatious, selfish purposes nor for expectations of recognition and status quo but for her life’s purpose. She exercises her will to realize her purpose in life by making the dreams of other women come true when she designs her collections. Her intentions are pure. She makes women feel better, feel empowered and feel inspired to go out into the world and complete their purpose too.

Photo Credit: Heather Jones International

You can visit her website to preview her collection if you wish to stand out in local designer wear this Trinidad Carnival 2017 at www.heatherjonesinternational.net or visit her facebook page at www.facebook.com/heatherjonesinternational or call her up at 1.868.622.9075 or 1.868.467.9756

Heather Jones Designs International will be on my Carnival Fashion Tour this Saturday 11^th February 2017. Booking for the tour is available and you can send an email to letsgotrinidadandtobago@gmail.com to register.

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The Lost Tribe's Riddim

Posted on February 6, 2017by admin

Before I proceed with my review for The Lost Tribe Carnival 2017 I would like to set the record straight on my thoughts about our Carnival fashion. I want to reiterate that Trinidad Carnival remains a haven for “creatives”. This means there is always room for more design aesthetics, creativity, new directions and new concepts that resonate with or even challenge the traditional ideals. Of course our Carnival fashion is embedded in our history and we owe all of this that we have today; our creativity, our skills, our talents to the foundation that gave the present day mas’ men and mas’ women their jump off into the Carnival scene. There are so many niches in the present and there is still room for more. As “creatives” we are entitled to critically examine art forms but we must not judge and bash each other for being too traditional or too modern because this is Trinidad Carnival. All the different facets of Trinidad Carnival encompass our Carnival fashion landscape and neither is wrong for bringing to fruition their contribution to Trinidad Carnival fashion.

Photo Credit: The Lost Tribe

The Lost Tribe Carnival had its debut in 2016. The Creative Director Valmiki Maharaj and Co – Creative Director Anya Ayoung Chee sought to expound upon a mas that was missing from the Carnival. They felt it was time to deliver the people from the lack of theatre, drama and storytelling on the Carnival road. They intended to bridge a gap between traditional mas and modern day. The Lost Tribe Carnival brands itself as an alternative concept band.This year their presentation awakens the creatives in dance, music and theatre yet again as they bring forth “The Riddim.” The cast of designers include Shawn Dhanraj, JP Richardson, Keegan Simon, Nadya Shah, Shari Cumberbatch, Simon White, Jeri-Lee Alexander & Lauren Baccus and Aaron Schneider. “The Riddim” in my words would describe the sound of Trinidad Carnival.

The Areito Section

Areito is a traditional, Amerindian based prayer ceremony. The female costume includes head piece, bra and bottom piece, full-body chain and backpack. The male costume includes head piece, chest piece, sharwani pants and backpack.

Photo Credit: Laura FerreiraPhoto Credit : Laura Ferreira

The Bamboo Section

This section was inspired by the sound of the tamboo bamboo musical instrument and was designed to produce the sound off the moving Bamboo Cathedral. The female costume features head piece, bra and bottom piece, cropped top, hip chain, leggings and backpack. The male costume includes head piece, sleeves, long pants, satchel and backpack.

Photo Credit: Laura FerreiraPhoto Credit: Laura Ferreira

The Cutta Section

The Cutta Drum from The Laventille Rhythm Section heavily influences this section of The Riddim. The female costume features hoodie, bra and bottom piece, leggings, bracelets, foot pieces and necklace. The male costume includes turban, dhoti pants, Indian Drum and backpack

Photo Credit: Laura Ferreira

Photo Credit: Laura Ferreira

The Djun Section

This costume is described as being an inspiration from the “Djun – Djun” drum from the Laventille Rhythm Section. This drum also fits into the category of traditional war drums. The female costume consists of headpiece, whole piece, cuffs, neck piece, necklace, cape and backpack. The male costume consists of headpiece, arm pieces, pants, neck piece, backpack and Djembe Drum.

Photo Credit: Laura Ferreira Photo Credit: Laura Ferreira

The Dudup Section

This section bears influence from the Dudup pan or as The Lost Tribe considers it; the forefather of the steel pan. The female costume includes head piece, monokini, bangles, neck piece, cape and standards. The male costume includes neck piece, belt, pants, backpack and standard.

Photo Credit: Laura Ferreira Photo Credit: Laura Ferreira

The Iron Section

This theme has connotations of the first strike, heartbeat and soul of The Laventille Rhythm Section. The female costume entails tiara, bra, monokini, cuffs, collar and backpack. The male costume includes head band, collar, khaki pants, leg pieces and backpack.

Photo Credit: Laura Ferreira Photo Credit: Laura Ferreira

The Jab Section

The Lost Tribe Carnival defines The Jab as a spirit. They believe The Jab is a profoundly dark and inspiring story rooted at the core of local culture. The Jab costume is inspired by the sounds, visualization and movement of the J’Ouvert experience. The female costumes highlight headphone head piece, bra, monokini, Obi belt, bangles and backpack. The male costume showcases headphone head piece, neck piece, joggers, Crix tin, whistle and backpack.

Photo Credit: Laura Ferreira Photo Credit: Laura Ferreira

After previewing these costumes I understand and appreciate The Lost Tribe Carnival’s contribution for 2017. I am fully aware that the creative process was carefully planned and executed. The costumes are synchronized with their “behind the scenes” meanings and relate to the design production. This is a revolution in Trinidad Carnival fashion and it is coherent. Their efforts to introduce theatre, drama, and storytelling are on point. There is zero mismatching of concept to creation. The cast of designers under the stewardship of the creative directors has managed to capture their stories in the essence of the costume design. However, this does not stop here as this group used the modern day facilities and technologies to make their impact and etch their brand identity in the hearts and minds of all who are interested in being part of their tribe. You can contact The Lost Tribe Carnival at 2017.losttribecarnival.com or you can take my Carnival Fashion tour which will be offered this Saturday 11^th February 2017 to learn more.

In closing my words of advice for the creative community and the spectators of Carnival Fashion are, “Embrace who we are and the bigger picture of what we are and the direction for Trinidad Carnival rather the greater vision for Trinidad Carnival, respect each others work, focus on the task at hand, at “getting it done” and to consistently and continuously work together because united we will stand and divided we will fall.”

Eastern Fusion Fashion in Trinidad

Posted on November 1, 2016by admin

Fashion has always been a way for one to express oneself and make a statement about one’s identity without saying a word. It is more profound than surface appeal to increase one’s attractiveness. It delves with a psychology of colours as each colour has its own meaning. Similarly each fabric whether silk or cotton attracts particular vibrations and energies. When the Indians arrived to Trinidad they brought their customs and their ways of dressing. Some of those remain inherent in the styles of Trinidadian styling today. Silver toe rings were worn in pairs on the second toe of each foot on a woman. It is said that this custom had certain reproductive health benefits for the woman. Also it was insisted that the ring ought to be silver to better absorb energies from the earth that would pass through the body and refresh the being wearing the toe ring. Bangles were cited as having benefits of keeping energy in the body and helping women with blood circulation. Nose rings were marked for benefits of reducing pain when the married woman goes into labour. It is believed that the nose ring would connect with a nerve that runs through that part of the body.

Photo Credit: https://www.pinterest.com/pin/212584044881223568/

Of course there is a glaring difference in perception of colour by persons in the Western world versus persons in the Eastern parts like India and Pakistan. We live in modern day Trinidad, an island in the Western Hemisphere juxtapose to Eastern and Western influences. This makes our culture and fashion even more vibrant and dynamic. Our creatives steadily made their move in fusion fashion. Local “fashionpreneurs” who recognized the importance of ethnicity to our culture (even those who have an affinity for East meets West trends) picked up the pace to fill the gaps and deliver fashion tailored to anyone interested in the Eastern Fusion Fashion niche in Trinidad. They identified fabrics, materials, tones and trends with the Trinidadian in mind and created looks that suited the Caribbean woman. The top local Eastern Fusion Fashion designer brands are House of Jaipur, Neha Karina and Aiela Fashions.

Photo Credit: https://www.pinterest.com/Achkemus/hatecopy/

Photo Credit: http://instaliga.com/ru/hatecopy?page=1089952981849780449_2120555&loadCount=2

House of Jaipur is owned by Dhisha Moorjani. She was born to Indian parentage and raised in an Indian home in Trinidad. After her parents passed she devoted her love for them into the brand House of Jaipur. She converted her parents’ home into a beautiful boutique that offers persons the chance to experience Indian lifestyle and culture. She has several Indian fashion fusion lines, luxury resort wear, festival wear and modern Indian wear that she designed herself. There is a tea room for persons to gorge on Indian delicacies and sip from a chai bar. She also curates lifestyle pieces at her store so you can take away not only memories but a piece of the House of Jaipur experience with you. House of Jaipur located at #14 O’Connor Street Woodbrook was recently renovated and has been transformed even more to entertain and excite your senses when you visit!

Photo Credit: https://www.facebook.com/houseofjaipur/?fref=ts

Neha Karina, the brand is very versatile. It is owned by Neha Dawar who is from India . She is of mixed parentage Trinidadian and Indian. Neha lives in Trinidad now. She has also completed her studies in India, Dubai and locally at The Caribbean Academy for Fashion and Design. Neha has an online fashion and beauty series called Coffee and Lipstick. She is also a stylist and marketing consultant. This designer focuses on youthful ethnic bridal wear, festival wear as well as contemporary wear. You are almost guaranteed to find a striking statement piece in her store and I dare you not to leave without it. Persons can also collaborate with Neha and book a custom fitting for a style they may be interested in wearing. She also stocks stationery and a few lifestyle pieces for those interested. Neha Karina is located at Hilton Hotel in Trinidad.

Photo Credit: https://www.facebook.com/nehakarinaTT/

Last but not least is ethnic designer, Sharmila Maharaj. Affectionately called Mila this designer is also a trained aesthetician, Mehendi artist and beauty expert. Born to a Brazilian mother and a Trinidadian father she grew up with two cultures. The Trinidadian community she grew up in and quality time with her friends from the East played huge roles in sculpting Mila’s attraction to the Eastern world. She is an avid jet setter and immerses herself in whichever culture and demographic that she interacts with. It is therefore no surprise to me that her journey in life has taken her creative soul on this path to create a supply of ethnic “athleisure” and contemporary ethnic fusion wear for the demand that is needed in Trinidad. She is the first person in Trinidad to create an athletic leisure “athleisure” hijab. She has also taken note of what is fashionably trending globally and used appropriate forecasting for her local debut. Her recent collection boasted of scarves, maxi shirt dresses and funky Samosa pants just to name a few. Her clothing can be described as exclusively modest and reasonably priced. Mila’s boutique is based in Central Trinidad. You can browse her boutique collection online and discover a whole new world of fashionable clothing and accessories that have been awaiting your arrival all this time.

Photo Credit: https://www.facebook.com/aielafashion/

So folks if you did not know where to get your Eastern Fusion Fashion vibes now you do!

May the positive energies from these pieces find a way to your closet!!!

May the designers continue to ignite the souls of you and others with their passion and creativity!

Rain Fall Fashion – Jessel Brizan

Posted on October 25, 2016by admin

Unlike other destinations Trinidad does not have all four seasons to keep up with the seasons of fashion. We have two seasons and they include the dry season and the rainy season. Of course we have a festival culture due to the magnanimous support of varying cultures sporadically dispersed throughout the length and breadth of the country. One may find that we have lots of themes at different times of the year such as bridal, avant garde, ethnic, western, contemporary, resort, business and swim wear. Today I want to highlight one designer who is definitely keeping it real this rainy season. His name is Jessel Brizan and he owns several design lines. He is a former lecturer in fashion at The Caribbean Academy of Fashion and Design at The University of Trinidad and Tobago. He is also the curator for Blue Basin Department Stores. At this store he curates clothing and accessories from local fashion designers and creative entrepreneurs who are in keeping with his standards for ethics and integrity in fashion.

Photo Credit: https://www.facebook.com/JesselBrizanDesignGroup/

At Blue Basin Stores you can find unisex wear. The design aesthetic of his design labels are reflected throughout his store concept and the products. The identity of the brand is easily distinguishable. There is a true sense of Caribbean lifestyle reverberated in his brand that is unparalleled. This rainy season he has crafted and curated staple pieces that every fashionisto/fashionista ought to have in their closet. His clothing is not only durable but timeless. Hence purchase of a Jessel Brizan Design is a guaranteed investment for life. Time, effort and enough research has gone into the production of his pieces to carefully suit the season and the target client. This is why I say you will be rushing off to get your hands on his designs to wear it immediately until I believe you may get so addicted they earn their own space at the forefront of your closet.

Photo Credit: https://www.facebook.com/JesselBrizanDesignGroup/

Unfortunately, I cannot show you everything from his clothing collections but I can definitely sneak you a peek so you can go do your own style stalking when you make the free time to do so. You must also know that the days for stealing your boyfriend’s jackets, shirts, pants, beanies and wearing them are over. Ladies now you can buy your own pieces and watch out for your guy friends who just may take a “long term” borrow. When you purchase a Jessel Brizan Design you discover that finesse is in the tailoring and the feel of the fabric. The quintessence is in the complete style profile on the person who wears them well. At Blue Basin Stores you can ask about mix and match options that suit you best.

Photo Credit: https://www.facebook.com/JesselBrizanDesignGroup/

Some of us are extremely fashion conscious and things that mass consumers consider trivial are actually important for the Jessel Brizan Design Group. The curator has been careful to exclude designs that are unethical. There are eco bracelets at Blue Basin Stores made out of glass that has been recycled into glass beads and completed with tassels in honour of the leather back turtles that frequent the shores of Trinidad. The Turtle Warrior bracelet is a reminder to clean up the beaches and save the turtles that come to shore for nesting. Other concerns such as child labour and exploitation are void from occurrence at this establishment. Designs are kept original and every effort is made to reduce mass consumption and high wastage. You can rest assured the Jessel Brizan Design Group’s collection whether handbags, belts, cardigans or wristbands is an aesthetically attractive, safe, rare and reasonably priced designer addition to your closet.

Photo Credit: https://www.facebook.com/JesselBrizanDesignGroup/

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Carolyn Mohammed – South Trinidad's Famed Hairstylist

Posted on September 28, 2016by admin

She’s been cutting and styling my hair since my toddler years until now. I have watched her grow from strength to strength just as she has looked on at my life. She had been schooled in hairdressing and styling from as early as I can remember. In those days this art was very much in high demand as it is now. However, she was a salon professional understanding the foundations of the retail of product, the dynamics of hair care, the styles to better frame one’s face and quality customer service. She was not only trained in hair but aesthetics too. She did facials, pedicures, manicures, waxing and makeup too. She built her brand very strongly from then until this week. The advent of social media and new trends in hair and beauty regimens did not leave her behind. She was an exceptional professional who believed in her brand. She always stood ahead of the hair game by educating herself on the latest techniques, tools, products and styles. Despite her stellar looks and dreamy service she remained humble, her prices were unbelievably affordable and the quality of her work ensured her clients remained loyal. Undeniably, the attention their hair received brought her even more clients.

(Photo Credit: Carolyn Mohammed Facebook Page)

Truly, she grew into a hair icon that believed in her brand, worked hard for what she wanted in life and enjoyed her passion. She loved to challenge herself to be one of the best in delivering extraordinary hair colouring techniques to her clients. Her gift to the world was using her passion to make others happy. She took her role as a hair professional very seriously. She would often talk about the regularization of standards in the local hair and cosmetology industry. During her earlier years in this profession persons in this industry were trained and qualified in their field. They also served a considerable amount of time working with senior professionals and learning from local and international brand ambassadors.

As times changed and the digital era sprung into effect more hair and beauty professionals popped up over Trinidad and Tobago. Some were untrained in proper hygiene practices and others were millennial youtube hair and makeup stylists. The beauty industry catapulted into one of the most lucrative and at times tax free income earners ( for the increasing number of freelancers who are unregistered business owners) in Trinidad and Tobago. She adapted yet she was still an avid attendee to hair and beauty shows for salon professionals. However she too would notice the lack of regularization, policy, guidelines and standards in the industry. It became as though aspiring beauty professionals were starting to take advantage of clients. They were cutting corners, burning out their clients hair with low quality hair care, diluting products with their own mix ins and selling mediocre products and services at exorbitant prices. She never failed to mention her concern for professionals’ apathy and her fear for what the booming hair and beauty industry could soon become.

(Photo Credit: Carolyn Mohammed Facebook Page)

Albeit there are still quality beauty and hair care professionals in the country there will be none like this one. She used high quality products. She did house calls to clients as she was saving up for investment into a salon. She never cheated her clients and always sold at affordable prices. She even had an option where the client who brings her another client gets their next haircut or hairstyle free of charge. Also, since she was a salon professional she had access to salon products (these products are not readily available for the public) for her clients at reasonable rates. Her hands were so gifted that I trusted them to dye my hair for the first time in my entire life this year. We had that type of relationship where I would say to her, “I have no idea what colour I want or what I want to do but I trust you so do whatever you want with it. ” She decided and she went in for the cutting, styling and colouring and I loved it! Despite not having her own salon yet her home was outfitted with salon chairs, sinks and the latest hair products and tools. She gave the most amazing hair wash and head massages.

(Photo Credit: Carolyn Mohammed Facebook Page)

Salon professionals double as clients’ therapists. The experience is a personable one where the client inevitably develops a friendship with their salon professional. She was no exception as her clients offloaded their lives on her while she renewed them with beauty therapy. She held her own too as she had her own family. She was the “dopest” mom to two of the coolest boys I know. You see even though she had the opportunity to live her passion and use her gift to help others she had other roles to play. She was a doting wife and mother. She did all her domestic duties to her best and took care of her family. She was a soul in a body fulfilling her role here on earth as a mother and as a wife. She never faltered in any area. She listened to her boys. She disciplined them and she always made sure she spent time with them. They even learnt a thing or two from her styling skills by just being around her. The kids even slayed the latest undercuts during their vacation time.

(Photo Credit: Carolyn Mohammed Facebook Page)

She had an insatiable appetite for life and for striving to be at her best in life. Unfortunately, things took a turn for the worst yesterday afternoon. I learnt from phone calls and a television broadcast the terrible news that she was on her way to pick up her eldest son from school with her younger son in the vehicle when a truck skidded off the road and slammed into her car. She died on impact, her son was injured and taken to the hospital. Many wailed and bawled and many remain shocked by the sudden death (including myself). We have lost a valuable soul because that is what she was a beautiful soul in a body here to fulfill her role as a mother, as a wife, a sister, a cousin, a friend and a salon professional to share her gift with others. Whether it was or was not her time to die is something I cannot say nor you or anybody else. No one will ever hear her side of the story as to what happened that fateful day that she passed. We can only pray for her soul and hope that she finds peace and that she crosses over to the other side (for those of you who believe in that stuff). I believe we will meet again if not in this lifetime perhaps in another lifetime. Until then I will keep her soul in my prayers and the fondest memories of her closest to my heart.

(Photo Credit: Carolyn Mohammed Facebook Page)

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International Celebrity Beauty Expert, Neema Ali, Searches For The Caribbean’s Next Millennial Makeup Artists

Posted on May 25, 2016by admin

International celebrity beauty expert, Neema Ali of Kreating New Faces.

May 24, 2016 – Port of Spain, Trinidad and Tobago… In a bold move to expand the US-based celebrity brand, Kreating New Faces (KNF), throughout the Caribbean, renowned makeup artist, Neema Ali, will host a Trinidad and Tobago casting for makeup artists. The twin-island’s entertainment, film, fashion, music and creative fraternities will soon welcome its newest elite member with the fast-approaching launch of the award-winning KNF. The first round of castings will take place on Saturday May 28, 2016 from 1:00 p.m. to 6:00 p.m. at the brow and makeup salon, Ultimate Beauty Queen.

Ali’s flawless finish on author and speaker, Lakia “LB” Brandenburg aka “The Wife Coach”, at a March 2016 promotional photo shoot. Photo courtesy Lakia Brandenburg.

The makeup artist, male groomer, stylist, image consultant, educator, motivational speaker and life and wellness coach eagerly shared, “I have a wealth of knowledge and expertise to impart. I look forward to nurturing a cadre of trustworthy, business savvy, talented and highly creative professionals who deliver the highest standards in service while using beauty to create platforms for self-love, self-worth and appreciation.”

Ali does on-set makeup application for calypsonian, Karene Asche, at a recent photo shoot. Photo courtesy estuary PR.

Ali attends to every detail on-set at a recent photo shoot with Dr. Hollis “Chalkdust” Liverpool. Photo courtesy estuary PR.

With over 20 years of experience consulting in the beauty industry in the United States of America (USA), Ali has amassed an extensive résumé of accomplishments. Most notably, through the Teknique Group, she was the on-set makeup artist and hair stylist for five seasons spanning three years of the number one hit reality TV series, VH1’s Love & Hip Hop: New York and Atlanta. During this time, Ali’s celebrity looks were known to go viral with widespread recreation of makeup by fans globally.

Ali’s TV accolades also include makeup artistry for Dr. Heavenly Kimes during Season 3 of Bravo’s Married to Medicine. She also executed on-set makeup for Season 1 of VH1’s Gossip Game and on-camera makeup for Tasha Marbury during Season 5 of VH1’s Basketball Wives. Her glamourous makeup artistry has been sought out by a host of celebrities for red carpet events including TV One’s Jennifer Williams for the 2016 NAACP Image Awards; actress Garcelle Beauvais for the 2015 ESSENCE Festival; and poet Erica Mena for the 2014 BET Hip Hop Awards. Other red carpet credentials include a glamour suite for the 2014 BET Awards.

Male grooming behind the scenes with Ali and calypsonian, Chucky Gordon, at a recent photo shoot. Photo courtesy estuary PR.

Ali’s flawless finishes can also be seen in promotional photos for TV One’s Here We Go Again and the movie, Dead Beat Dad Rehab 2. In former years, Ali executed runway makeup for the Season 11 Finale of Project Runway during New York Fashion Week 2013. That same year, she did a three-city tour with international cosmetics brand, Cover Girl, for Taylor Swift. Ali launched her career in the world of beauty as one of MAC Cosmetics east coast Operations Managers in the USA.

Makeup artists interested in mentoring under Ali are invited to attend the first round of castings where they will be required to create their best look in twenty minutes. All applicants are asked to walk with their makeup kits, a model for creating their look and a résumé. There is a registration fee of TT $350.00 per applicant. For more information, join the Facebook (FB) event at http://x2t.com/KreatingNewFacesTTCasting or connect with KNF on IG @kreatingnewfaces or email kreatingnewfaces@gmail.com. Connect with Neema Ali on IG and Twitter @iamneemaali. To book Neema Ali, contact Liza Miller of estuary PR at liza@estuaryPR.com or (868) 367-5295.

WHAT: Kreating New Faces TT Makeup Artist Casting – Round 1

WHO: Celebrity makeup artist, Neema Ali, of Kreating New Faces

WHEN: Saturday May 28, 2016 from 1:00 p.m. to 6:00 p.m.

WHERE: Ultimate Beauty Queen, Suite 25, A&A Mall, Charlotte Street, Port of Spain, Trinidad and Tobago

REGISTRATION: TT $350.00. Walk with makeup kits, a model for creating one look and an up-to-date résumé.

Ali applies last minute touches as she prepares Lord Superior on the set of a recent photo shoot. Photo courtesy estuary PR.

For booking and media inquiries, please contact:

Liza Miller, Managing Director

estuary PR Limited

Phone: (868) 367-5295 / (868) 761-1195

Email: liza@estuaryPR.com

www.estuaryPR.com

cANYAval returns for Trinidad Carnival 2016

Posted on January 13, 2016by admin

Carnival Monday Wear continues to dominate the Carnival fashion scene and carve out a niche of its own in Trinidad and the wider Caribbean. We wanted to know more about one particular brand that has been setting the pace for Carnival Fashion since the inception of Monday Wear that is cANYAval. We found out from the store manager of Exhibit A, Charissa Mohammed what she has to say about the brand.

Q: What is cANYAval?

A: cANYAval is a carnival inspired brand that offers an online retail platform (www.thecANYAvalshop.com) featuring apparel and accessories designed for the on the road, fete-ing and liming, with a host of contributing designers, whose lines are curated by founder, Anya Ayoung-Chee.

Q: Is that the only role of cANYAval?

A: cANYAval is also an events production company specializing in Carnival inspired experiences, held in Trinidad and in major cities such as New York and Los Angeles. cANYAval travels the world with carnivals collaborating with the bands throughout the world, including Toronto, Los Angeles, Jamaica, Barbados, and more.

Q: How can persons access cANYAval for purchase?

A: During the Trinidad Carnival season, Exhibit A hosts the cANYAval Pop Up Shop where all items available online are also available in store, the featured designers are hosted and carnival related activities are on constant rotation.

Q: Who are the designers for this year?

A: Keisha Als makes a return as well as lots of new collaborations from Rhion Romany to Summer Jade and so many more.

Q: Where can persons find more information on cANYAval?

Facebook: https://web.facebook.com/thecanyavalshop/?fref=ts

Instagram :https://www.instagram.com/canyaval/

P.S.

There is a sale on last year’s Carnival Monday Wear

so hurry to the cANYAval website while stocks last!!!

Photo credits for article:

http://www.thecanyavalshop.com/

https://www.instagram.com/canyaval/

Trinidad Fashion Run – The Carnival Fashion Tour

Posted on January 7, 2016by admin

Let’s Go Trinidad and Tobago will be having their third fashion tour on the 30th January 2016. This year the event is called Trinidad Fashion Run. The event coincides with Trinidad’s Carnival season. Hence it is the intention of the company to feature Carnival costuming and its huge impact on fashion in Trinidad and vice versa. Fashion and Carnival affect and effect each other as they make up an exclusive part of Trinidad’s fashion history and fashion landscape to date.

There will be four fashion stops on this tour all inclusive of light refreshments, gifts, giveaways and games. Again the mission is to diversify the local tourism product by promoting creative tourism via development and execution of these local fashion tours for domestic and international tourists. Subsequently, this “buy local” campaign is hoped to create diversity and sustainability of the economy.

Caribbean fashion lifestyle department store and a former fashion tour show stopper; Blue Basin will be making a return to the itinerary. The appeal of the true Caribbean can be felt at this stopover. In the majority, the owner and the exclusive addition of ethical and quality designed clothing and accessories can account for this. Menswear is also popular here with brands like Urban Militia, RGG, Red Gold and Green.

The second stop is dedicated to the evolution of Carnival costuming so there will be a stop at Passion Carnival Mas Camp. The squad of designers behind the “Amazon” presentation aimed at strength and dominance of the woman for next year’s Carnival presentation. These designers include Sonia Mack, Rajin Gopie, Rene Williams, international photographer Calvin French, internationally recognized hair stylist Ashvin Bally, fashion designer Noor, Fazad Mohammed and Alejandro Gomez. The face of Passion Carnival 2016 is Heidi Andrews, Miss Global International Queen 2015.

The third stop is at Exhibit A, the designer space curated by former Project Runway winner Anya Ayoung Chee. It offers emerging and established designers a home for retail of their designs. However, in the spirit of Carnival the store will be transformed in Canyaval which is the Carnival Monday Wear brand and collection under the purview of Anya Ayoung Chee. Carnival Monday Wear is the latest addition to Trinidad’s fashion scene.

The final fashion stop takes the patron down memory lane with a trip to Mas’ Rebellion. They are making their first debut next year on the streets for Carnival. The Mas’ Rebellion team has inculcated creative director Keir Roopnarine as well as the industrial designer, illustrator and writer Ayodhya Ouditt into their talent base for their design aesthetic and narrative on Heroes or Villains in the United States of Trinidad.

The tour is hosted by Ashanna Arthur, Miss World Trinidad and Tobago 2009. It is carded to start at 10 a.m. and ends at 2 p.m. Tickets are only TTD$200.00 per person

(Photo Credit: Gary Jordan Photography)

If you wish to find out more information then feel free to email us for more details at letsgotrinidadandtobago@gmail.com

Mas’ Rebellion: The Rebirth of the Carnival Costume

Posted on December 30, 2015by admin

Carnival costuming has largely been a part of the fashion landscape in Trinidad’s fashion history. In the 1950’s creativity, new skills, new ideas, a more involved public, tactical and strategic wire bending, movement of costumes, architecture and engineering were recognized as key tenets in the construction of these costumes. It is in that same decade that Harold Saldenha won band of the year with his choreography and design for his presentation Imperial Rome 44 B.C. to 96 A.D. Another artist, Peter Minshall was incredibly instrumental in using architecture in his designs so costumes were lighter and their movement on masqueraders could be more balanced. He also introduced the theatrical side of Carnival with story boards for each presentation. These were relative to whatever the current situation in Trinidad was whether that was controversial, social or political.

Carnival is a rough two months away but it still falls in the year of 2016. It seems to be the year of change, rebirth and innovation in the spheres of design and fashion which are not exempted here in Trinidad. Here we see the reinvention of Carnival costumes for a new band to the mas foray. The name of that band is Mas’ Rebellion. They make their debut next year. At the heart of these rebels is their refusal of mas as just a parade through the streets. Whilst Carnival costuming has evolved and many genres of old and new and many more variations currently exist this band is affirming their rebellion against the current trends. They believe in giving life to the artform that once depicted art, beauty, politricks, commentary on state, society and humanity.

Heroes or Villains is the theme for next year’s presentation. Their storyboard for Carnival 2016 talks about the United States of Trinidad and it puts an interesting twist on the current political state of affairs in Trinidad. The characters in the band are all found in the story and they are either heroes or villains. You can read more about the story here http://masrebellion.com/index.php/storytime

Their creative director Keir Roopnarine collaborates with local designer Ayodhya Ouditt for 2016.

His biography is as follows;

Ayodhya is a designer, illustrator, and writer with a passion for science and the environment. He earned a BFA in industrial design at the Rhode Island School of Design, focusing on design for social change. His earliest memories involve scrawling dinosaurs on walls, bending wire for blue devils, and acting with Lilliput Children’s Theatre. Despite filling scores of sketchbooks with creatures and characters over the years, he eventually pursued design for social change, because of a desire to solve world problems. He has co-designed prospective medical products, illustrated for NPR’s science blogs, won ADDY awards for Collier Morrison Belgrave, hosted STEAM workshops with teachers at the Korean Gifted Summer Institute (St. John’s University, NYU), designed carnival and stage costumes for Lilliput, and produced the concept art for 2015 Carnival King, “Ahtwajé”. By day he is a design consultant with his mother and uncle (also experienced designers and artists), at Studiouditt. By night, he brings the Rebellion to life, through comics and costume. Like the others, he believes that Carnival need not compromise story and spectacle for the sake of sexiness. We can have all.

Biography & Photograph courtesy Mas’ Rebellion

(http://masrebellion.com/index.php/about-the-rebellion?id=114)

The rebellion’s design candidates who are either ‘Heroes or Villains’ include the Jacka Lantern, Red Queen, Pierrot Grenade, Soucouyant, Lagahoo, Midknight and Ibis in the story. However the Carnival costumes available for registration include Angelic Ibis, Lagahoo, Bookman, Soucouyant, Midknight, Vengeful Ibis, Blue Devil Clans and Red Devil Clans. More information on registration for the costumes is available here http://masrebellion.com/index.php/hov-costumes

Their mission and philosophy statements are as follows:

We believe in story and spectacle. You will embody a character, an idea or a concept. Your costume will be one piece of a greater whole: an epic story: told through bodies and motion; through colour, light and sound.

We believe in diversity. No one is too big or too small to be a Rebel. No one is too dark or too fair. No one is too gay or too straight. No one is too old or too young, and no one is too wassy or too stush! If you love our art and you love our costumes – you can be a Rebel! If you want to have a good time on the road – you can be a Rebel! If you want to get on bad bad bad – you can be a Rebel! If you want to stand up and take a small wine here and there – you can be a Rebel

They ask just three things from their masqueraders.

Love your body and your costume on the road
Respect each other and stay safe
Have a great time

Mission and Philosophy courtesy Mas Rebellion

(http://masrebellion.com/index.php/about-the-rebellion)

So there you have it 2016 promises to be a really interesting year for Trinidad.

To be part of the Mas’ Rebellion experience you can also follow them here

https://www.facebook.com/masrebellion/?fref=ts